Podcast Index
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Essential Guide to Writing a Novel
James Thayer
Science KidsNewsFlash
KidsNewsFlash Universe
Tiempo de Fe con Cristo
Tiempo de Fe con Cristo
Nincha - Learn Languages Podcast (en)
Nincha
The Arora #CanPassWillPass Podcast
Dr Aman Arora
High on Home Grown, The Cannabis Podcast
Percys Grow Room
A Felt Experience
Maria Cardozo
geister - der philosophie-podcast
Christian Eichler
Relax for a while
Relax for a while
Nincha - Podcast para aprender idiomas (pt - br)
Nincha
The Art of Investing
IG UK
Narcissist Apocalypse: Patterns of Abuse
Abuse Survivor Network
During the Break with Clint Powell
Clint Powell
Por el Placer de Vivir con el Dr. Cesar Lozano
Uforia Podcasts
Neville Medhora Talks Copywriting
Neville Medhora
Learn Punjabi Like A Native
Amrinder Singh
TubeTalk: Your YouTube How-To Guide
vidIQ
Empowered Educator: Leadership in Motion | Educational Leadership, Principal Leadership, Teachers as Leaders
Dr. Mel Vandevort – School Leadership, Principal Coaching, Educational Consulting, Instructional Leadership, Leadership Systems
Ditch Decade Diets Podcast
Lorna Costa - Binge Eating Coach
1715 Treasure Coast Financial Wellness with Thomas Davies
Davies Wealth Management
A Spiritual World, A Hermetically Speaking Podcast
Toriea
Half Way Up
Wolf Taylor
Will You Survive... The Podcast
Will You Survive... The Podcast
Peacebuilding with Dr. Pollack
Dr. Jeremy Pollack
The Renaissance Files Podcast
Juda$ X
Power Struggle
Stewart Muir Media
CLEs You Actually Want to Hear
Beverly Hills Bar Association
Transforming Stress with Dr. Ash
Dr. Ashish Kumar
Western Civ
Adam Walsh
Challenges of Faith Radio Program
Gary McCants
İsveç Günlük Haberler
Lingo News
Sweden Daily News
Lingo News
הרב מיכאל שושן
הרב מיכאל שושן
הרב יאשיהו פינטו - ערוץ ה-HD
הרב יאשיהו פינטו
Pivot: SHIFT Ahead Mastermind
James Shaw
The Symbolic World
Jonathan Pageau
Wealthyist
Annex Wealth Management
Education
James Thayer
I talk about ways we can make our settings--the time and place of our story--irresistible to readers. They'll want to live there. Plus: we can use our global search function to almost instantly make our sentences more ...
Here are pocket-sized techniques that can result in strong sentences; small--even tiny--things we can add to our prose writing arsenal. Also, Elizabeth George on her use of two outlines: the step outline and the runnin...
For readers, fiction offers escape from their real lives. How can we make our writing intense, and so lift our scenes above real life? Details are a key, and here are ideas on the use of odd and memorable details to ma...
The phrase "cut to the chase" originated in the film industry. When shooting and editing a movie, if things are getting dull cut to a chase scene. Cut to the chase applies to our novels and short stories, too. Here ar...
Here is a checklist of things we likely should think about as we begin our first chapter: some elements to have in the beginning pages of our story and some things to avoid. Also: the strong technique of using contrast ...
What is a singular attribute that separates Oscar Wilde, Ernest Hemingway, and Edgar Alan Poe? Their literary voices. Here are thoughts on our own voices: if and how we should try to develop them. Also: the strong too...
Writing is like learning the violin. We can get better. Here are reasons we should practice, and suggestions how to do so. And what sparked Edgar Alan Poe's imagination? Also: how much of our story should be scenes r...
What's the problem with having a lot of characters in a scene? Aren't lots of people needed to make street scenes and party scenes and sports scenes and battle scenes credible? I'll talk about the problem of too many ...
How can we know if our scene pushes the story forward. Does our scene contribute to the story? The ratchet can test our scene. I talk about the ratchet and show how Cormac McCarthy and F. Scott Fitzgerald used it. Pl...
If we emulate famous authors, won't we get better at writing? Here are how some highly-skilled, best-selling authors write and live. Plus: the three dumbest pieces of advice for writers. And: George Orwell's rules of ...
How can we get readers to admire and respect our hero, maybe even to fall in love with him? Our hero can save the cat. Here is how the screenwriters' save the cat technique can apply to our novels. Also, best seller L...
Keeping a tight point of view is critical for our story. Here's how we can stay inside the mind of our main character yet learn what others in the scene are thinking. Plus, how John Grisham works. And: how we can reve...
Sometimes writing can be a grind. Here are things that are fun while writing that'll give us energy and keep us at our desks and allow us to pour joy into our words. Also: we should avoid vanilla, meaningless word pack...
Folks new to fiction may think because there are a million stories and dozens of genres, plots can be presented in any way imaginable. But successful plots have time-tested patterns, and these are discussed here. Plus,...
How and why should we avoid our character traveling? And how does Orson Scott Card not make blunders in his novels? Here is his tool for having a mistake-free novel. Also: here is why our scenes--almost all scenes--s...
Writing is magic. We type on a keyboard, and then the words we type create powerful images in readers' minds. Here is a discussion of our main tool for creating vivid images: detail. Which details, how to use them, an...
Sometimes an unreliable narrator can be great fun to create, and great fun to read about. Here are techniques for developing a protagonist the reader learns not to trust. Also, how can we avoid dull interior monologue ...
Novelist John D. McDonald said he had more plot ideas than time to write them. That's not the case for most of us writers. We usually are in chronic need of more plot, more story. Here are techniques for inventing plo...
Sometimes we are full of ambition to write. Yet we don't. We put off our writing, then put it off again. Why do we do that? And what can be done to get us in front of the keyboard? Here are thoughts on what we can ...
Some words don't add anything to a sentence other than confusion. Here are several modifiers that our story is better without. Also, is cutting ten percent of our manuscript a good goal when editing? What should we c...
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